inthearmsofathief:

thyrell:

thathighclassbitch:

IT JUST HIT ME THAT THIS IS ABOUT BEING TRANS

I REBLOGGED IT THINKING IT WAS A MEME ABOUT BEING SHIRTLESS IN VIDEO GAMES

I just thought it was bout a dude who loved bein shirtless so much he bribed the government to look the other way

I mean in a way you’re right.

sob-stateofbeing:

i’ve cracked the code

smeasel:

mtgconspiracytheories:

Why do you always reblog this?

For Your Clarity. You’re Welcome.

mad-madam-m:

smitethepatriarchy:

mohala-sumiko:

jamesfactscalvin:

scarlettohairdye:

mohala-sumiko:

Mad Max told a story about sexual violence and survivorship without relying on rape scenes to impress upon the audience how *serious* things were.

instead of watching the abuse on screen, we hear about it through the interactions between the wives. they tell us what happened, and in that way they take control of their own narrative.

rather than being voyeurs witnessing the wives’ trauma played out onscreen, we were an audience listening to their story.

and that makes a world of difference.

THIS THIS THIS.

So instead of showcasing the specific treatment we were told of it, which is the contrary philosophy of most filmmaking (show, don’t tell)

or they made the decision to not sensationalize and fetishize the rape and brutalization of women. and in doing so spared the feelings of thousands of trauma survivors in their audience.

but whatever, film theory 101.

“Show don’t tell” is for FUCKING AMATEURS. 

This statement:

“So instead of showcasing the specific treatment we were told of it, which is the contrary philosophy of most filmmaking (show, don’t tell)”

demonstrates a fundamental misunderstanding of the idea behind “show, don’t tell.” I would argue that Mad Max: Fury Road DOES show us how the Wives were treated by Immortan Joe. However, it chooses not to do so in the obvious way (which would be showing the abuse), but rather by showing us in other ways.

We’re shown the message the Wives leave behind: “We are not things,” from which we can infer that’s exactly how they’ve been treated for God knows how long.

We’re shown that they wear flimsy white fabric that leaves their bodies on display, unlike pretty much everybody else in the film.

We’re shown them using boltcutters to rid themselves of chastity belts, devices which pretty much exist solely to remove a woman’s ability to choose her sexual partners.

We’re shown rage from the Dag when, even though time is of the essence, she takes the time to run back and kick one of the discarded belts as hard as she can before running back to join the others at the War Rig.

We’re shown Angharad using her pregnant body to shield Max and Furiosa from Immortan Joe, because she knows beyond a shadow of a doubt he won’t shoot her or her unborn child because he still views her as his property.

We hear Furiosa’s “Remember me?” before she kills Joe, and there’s so much fury and anger in those two words that you know she was a Wife before she was an Imperator.

We ARE shown what happened to the Wives. The issue lies in thinking that the only way to show that they were abused is to show the abuse itself. And as MM:FR demonstrates, that isn’t the case.

zombooyah2thesequel:

ALIEN (1979) dir. Ridley Scott

lelaid:

Nicholas Kirkwood S/S 2019

warkorkweh:

stumppng:

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this is the funniest thing I’ve ever fucking heard

stayathomegf:

chelsea peretti’s opening monologue at the tenth annual tech crunchies

adventures-in-poor-planning:

adventures-in-poor-planning:

being a tech writer has made me unironically into that “hurr burr fire scary thomas edison was a witch” guy

any cool new application of tech: *happens*

the cia, the fbi, the army, the cops, silicon valley, amazon specifically:

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kelapabiru:

Happy 10 years of Homestuck 🎉🎉

twt / ig

horrorjapan:

I Am A Hero (Shinsuke Sato, 2016)

tofixtheshadows:

tofixtheshadows:

The Genius page for Hozier’s new song No Plan is the funniest thing right now.

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The scholars are at work in Dinner & Diatribes too:

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